Thursday, February 12, 2015

GATHERING THE SUN, AN ALPHABET IN SPANISH AND ENGLISH, By Alma Flor Ada, English translation by Rosa Zubizarreta, Illustrations by Simon Silva


Ada, Alma Flor.  Gathering the Sun. (Ill. Simon Silva).  New York: NY, Harper Collins. (2001).  ISBN 978-0688170677

OVERVIEW AND CRITICAL ANALYSIS
Alma Flor Ada celebrates the dignity of hard-working farm laborers and their families, working the fields of California, in Gathering the Sun.  Short poems for each letter of the alphabet, written in both Spanish and English, capture the long days in the field, pride in a job well done and loving family connections.  The simple narrative poems tell the story from a child's point of view, portraying a child-like innocence and vulnerability.  The use of dual languages makes this book accessible to both English and Spanish speakers. It honors both languages and provides a distinctly Mexican-American context. 

The poems range in length from four to eight lines each.  Simile and metaphor are used throughout.  In "Peaches," the round fruit is compared to "a gentle caress."  In "Field Row" a seed lies "tucked in like a baby in a crib." Repetition adds emphasis in "One" with the repeating of the line "Not one … but many" describing the fields of flowers, fruit and trees.  The poem "Pride" repeats "Proud of my … " on every line, showing pride in family, culture and self.  

Simon Silva has created bold and colorful illustrations that transport the reader from a wide open asparagus field to the middle of a peach orchard.  Whether climbing a ladder or bending low near the earth, pushing seeds into the soft, rich soil, the dignity of work is honored in the art work.  Silva uses broad landscapes and expansive scenes to create a sense of the vastness of the farmland. The rhythms of farming life are depicted at the kitchen table where delicious traditional food is being prepared and beside the bed when it is time for nighttime prayers. The sun drenched days of working in the field are depicted in orange and yellows and are in contrast to the shady resting places under a tree. The combination of hard work and family tenderness is repeated in several scenes. The artwork provides an extension to the poetry and expands the poetic experience.  

Silva's painted scenes use smooth strokes and clear lines. The use of light is very effective in creating shadows as workers bend in the sun, rest in the cool shade or stand in the fading light.  Many cultural markers are evident in the artwork.  Brown skin tones reflect the Mexican heritage of the individuals.  Traditional foods like tortillas, hot jalapeño peppers and fresh vegetables reflect authentic ways of eating.  A woman in traditional dress in front of a Mayan scene shows honor to her family heritage. Both Spanish and English are given equal prominence. 

This enjoyable title is filled with quality poetry.  Readers will connect with the scenes and beautiful language of this book. It provides a vibrant and authentic view into the life and work of the many thousands of dedicated individuals who work in the farms and fields of California. 

SPOTLIGHT ON A POEM
Choosing one poem was a challenge because so many of the short poems in this alphabet book are like little gems.  The poem for the letter "J' uses the Spanish word Jardin, while the English word is spelled Garden. both versions are included below.

     "Jardin"
     Mi madre trabaja
     en un jardin.
     Cultiva claveles
     blanco y carmín.

     Los siembra, los riega
     y los transplanta
     Cuando florecen
     como le encantan!"

     "Garden"
     My mother works
     in a garden
     growing carnations
     both red and white.

     Seeding, watering
     and replanting…
     And when they bloom,
     it's pure delight!"

The language of this poem is gentle and pleasing.  It honors the work of a mother and the "seeding, watering, and replanting" that are all necessary to end with something that is "pure delight."  This narrative verse has a cadence that replicates the rhythm of field work, "seeding, watering, and replanting."  It feels like meaningful and purposeful work that results in something that will bring joy to others. 

I would introduce this poem within the context of the entire book.  I would highlight this poem by reading it aloud two or three times in English. I would request a Spanish speaking student to read it aloud in Spanish.   I would project several pictures of the farmland of Central California to provide context for this book. I would invite the children to respond to the poem and relate connections to their own mothers and the work they do.  Children would be encouraged to consider the work of their own mother or family member and to describe an aspect of the work. If there are bilingual children in the class, they would be encouraged to write in English or Spanish. The children would be encouraged to use interesting descriptive language to describe the work.  

I would read other poems in the collection and allow children to respond and discuss how the author used different types of language to honor the work of the individuals in the book. 

EXTENSIONS
Alma Ada Flor has published many wonderful books for children.  Her website is inviting and user friendly.  Encourage children to explore her other work at http://almaflorada.com.




Monday, February 9, 2015

ANOTHER JAR OF TINY STARS, By Bernice Cullinan and Deborah Wooten


Cullinan, B. E., and Deborah Wooten. "Another Jar of Tiny Stars: Poems by more NCTE award winning poets." Honesdale, PA: Wordsong/National Council of Teachers of English (2010).  ISBN 978-1590787267

OVERVIEW AND CRITICAL ANALYSIS

Another Jar of Tiny Stars is a collection of favorite poems as selected by children from 15 NCTE award-winning authors.  This delightful and engaging collection includes a wide range of poetry styles.  Poems range from humorous to serious, playful to thought provoking.   The various poems, each reflecting the poet's style, create a mosaic of rhythms, sounds and sensory experiences.  Poetry lovers will find their favorite style of poem, whether it is free verse, strong rhyme or narrative verse. Not-yet-poetry-lovers will be enticed by this collection and might be persuaded to choose one of the poems as a new favorite. Emotional impact will come in the form of laughter, giggles and serious reflection across the span of authors. 

A brief sample of what can be found between the covers of this book is highlighted with some perennial favorites. Listen to David Mc Cord's strong beat and repetition in The Pickety Fence.” 

     “…the pickety fence/The pickety fence/Give it a lick it’s/
      the pickety fence/Give it a lick it’s/A Clickety fence…”

Nikki Grimes captures the beauty of a winter day in “Snow.”
  
     “… Magic! Evening snow
       drifts turn each streetlight into
       a star on a stick.”

Myra Cohn Livingston and X. J. Kennedy both write about Martin Luther King, Jr.  Each bringing a different perspective. Livingston gives a gentle tribute while Kennedy creates a steady rhythm and beat that will carry you along to the final syllable.  Arnold Adoff uses delicious figurative language to describe his family in “Flavors.”  He also scatters his words across the page, causing the reader to stretch out the words and slow down the reading.  Karla Kuskin changes font size in “I Woke Up This Morning” to add emphasis and volume to her poem.  It seems the final words are practically shouting from the page.  

Readers will connect with the range of experiences they will find in the poetry.  Children who love the beach will enjoy “The Summer Song” by John Ciardi.  Dinosaur lovers will not be able to resist Valerie Worth’s “Dinosaurs.”  Many children are animal lovers and there are several poems to satisfy like “Puppy” by Lee Bennett Hopkins.  Poems with universal appeal abound in this collection.  


These award-winning poets deliver quality on every page.  Covering a range of topics makes the collection fresh and unpredictable.  Black and white drawings of each poet, along with a personal quote separate each section.  The “About the Poets” section in the back of the book adds personal perspectives from each poet and interesting facts about their personal and professional lives.  Other poets included in this collection are, Aileen Fisher, Eve Merriam, Lillian Moore, Arnold Adoff, Barbara Juster Esbensen, Eloise Greenfield, Mary Ann Hoberman and Nikki Grimes.  A star-studded cast of poets make this collection a must for every classroom. 

SPOTLIGHT ON A POEM

Engaging, rhythmic and rich in sensory images, "My Cat" by Barbara Juster Esbensen paints a peaceful picture. 

     "My cat is asleep — white paws
     folded under
     his chin     He is a soft gray
     smudge on the round rug

     Dozing in the sun
     He is a warm round stone
     with a fur collar

     My cat is taking
     a nap     Not a whisker
     trembles     Not a hair
     moves     His breath goes
     softly in and out

     Stay in your holes
     mice!     My cat sees you
     in his dreams
     and he has left his motor running!"

IN THE CLASSROOM

Many children love animals and have pets of their own.  This poem will remind them of animals they know.  Project multiple pictures of sleeping cats for the class to view and enjoy before reading this poem.  Read it aloud two or three times so the children can enjoy the rhythm and try to imagine this peaceful, sleepy cat.  Project the words for all to see and let the class read the poem chorally, alternating sections with groups of children.  Allow the children to discuss the figurative language found in the the poem.  Talk about how the author uses the rug, a round stone, a fur collar and a running motor to help the reader to "see" the cat sleeping on the rug.  Provide pictures of sleeping cats and active cats for children to view.  Working individually or with partners, encourage children to create their own poems about cats, using the pictures to stimulate ideas.  As time permits, allow students to share their work with the class.

EXTENSIONS

If you want to read more about Barbara Juster Esbensen you will find an interview with her located here http://www.ncte.org/library/NCTEFiles/About/Awards/Esbensen.pdf.  She was a prolific writer and you can find her books on www.amazon.com.  Additional animals poems are included in Another Jar of Tiny Stars.







Monday, February 2, 2015

REVENGE OF THE LUNCH LADIES, THE HILARIOUS BOOK OF SCHOOL POETRY, by Kenn Nesbitt, illustrated by Mike and Carl Gordon


Nesbitt, Kenn.  2007.  Revenge of the Lunch Ladies. (Ill. Mike and Carl Gordon).  Minnetonka, MN:  Meadowbrook Press.  ISBN 978-141694648   

OVERVIEW AND CRITICAL ANALYSIS

Revenge of the Lunch Ladies is a playful collection of 47 poems about school life by Kenn Nesbitt.  It is told almost entirely from the perspective of a child, with a few poems told from a teacher’s point of view. Topics range from school supplies to homework, school lunches to bad days and so much more.  Fast paced and funny, children of all ages will find something to relate to within the pages of this book.

Nesbitt has captured the school experiences common to many children.   Readers will laugh at “My Lunch,” a poem about a lunch full of forbidden treats.  They will groan at “Class Gas,” when they hear about stinky feet.  They will understand the embarrassment in “My Teacher Calls Me ‘Sweetie Cakes,’” when the teacher is also your mother.  They will marvel at how many ways you can say you are feeling bad in “What I Told Mrs. Morris When She Asked How I Was Feeling Today.”  They will be wishing for their very own homework machine when they hear, “The Marvelous Homework and Housework Machine.”  Puppy love, loneliness, best friends, and dreaded school lunches are other topics that are explored.  Poems of a few lines and others that fill the page will challenge readers to stay engaged with the couplets and other rhyme schemes, free verse and surprise endings.   Readers will want to pay attention so they can be in on the joke too.  


This book is light-hearted and playful.  It  allows children to poke fun at themselves and others with this format.  It invites children to have fun with poetry and makes poetry relevant to their own lives.    

Each page has a similar layout.  The language of the poems is very accessible to many types of readers.  More difficult words are interspersed in several poems and provide a creative use of vivid vocabulary.  A table of contents in the front makes it easy to find just the poem you need; the index in the back helps the reader track down poems by listing them in alphabetical order. 

The illustrations are black and white cartoon drawings that add a lot of humor to each poem.  They add context and playfulness.  Even non-readers will enjoy the illustrations while listening to the poems being read aloud.  The colorful cover will pique the interest of most readers and they will want to look inside.  This collection of poems will be a favorite in the hands of children.

SPOTLIGHT ON A POEM

Children learn many things in school and sometimes what they learn is not what their parents intended.  Nesbitt describes the possibilities in "My Excellent Education." 

     How to juggle.
     How to hop.
     How to make 
     my knuckles pop.
     How to whinny.
     How to cluck.
     How to talk like Donald Duck.
     How to wiggle
     both my ears.
     How to fake 
     convincing tears.

     How to yo-yo.
     Capture flies.
     Roll my tongue
     and cross my eyes.
     How to make a piggy snout.
     How to make my eyes bug out.
     These are things 
     I learned in school. 
     Education —
     ain't it cool?

IN THE CLASSROOM

The pleasing rhythm of this poem along with the myriad of skills outlined here will make it an enjoyable read.  Before reading the poem aloud ask the children to generate a class list of all of the things they have learned in school so far.  Give everyone the opportunity to share.  Introduce the poem "My Excellent Education," reading it  aloud two or three times.  Let the children respond to the poem.  Then ask the children if they want to add anything to the class generated list of things they have learned.  They will probably have new ideas to share after hearing the poem.  Allow time for children to contribute ideas.  Project the poem for all to see and read it again to the class.  Ask them to listen to the rhythm of the poem.  Have everyone join in a choral reading.  Do this two or three times so the children are very comfortable with the flow of the poem.  

EXTENSIONS

Kenn Nesbitt's poetry website www.poetry4kids.com is a must for home and school use. It is filled with poetry, games, contests, activities and so much more.  You will also find a list of Kenn's books that will delight your readers.  His playful approach to poetry can be used for daily readings, also as a springboard for writing and for independent reading times.  If you are looking for materials to hook your students into poetry you will want to include Kenn's books. 


CITY I LOVE, Poems by Lee Bennett Hopkins, Illustrated by Marcellus Hall


Hopkins, Lee Bennett. 2009.  City I Love.  (Ill. M. Hall).  New York, NY: Abrams  ISBN 9780810983274

OVERVIEW AND CRITICAL ANALYSIS

This enjoyable collection of city-themed poems by Lee Bennett Hopkins and illustrated by  Marcellus Hall is sure to delight young and old. Hopkins celebrates the major cities of the world while Hall adds perspective and movement with his watercolor illustrations.  The poems do not explicitly name each featured city, but instead clues are provided in the carefully crafted phrases and illustrations that capture iconic scenes from each city.  Most of the selections are short and easy to read, making the poetry accessible to many types of readers.   

The pleasing rhymes and rhythms will engage the ear of the reader. Repetition is used in several poems for emphasis.  The format of the text on the page reinforces the movement, energy and excitement in several poems.  Stair-stepped text, single rows of vertical text and intentional use of white space are some of the ways that Hopkins signals points of emphasis.   

Using everyday experiences, Hopkins makes the poems come alive with many examples of figurative language.  Personification is used to bring the sounds and moods of the city life.  The New York City subways in “Sing A Song of Cities” seem to speak out to the passerby. 

       “Sing a song of cities.
        If you do,
        Cities will sing back to you.

        They’ll sing in subway roars and rumbles,
        People-laughs, machine-loud grumbles”

The use of simile in “Kite” has the reader practically dipping and bobbing with the kite as it blows in the wind.

  “New Kite
blue-white

flitters
twirls
tumbles
twitters

like a young bird in new morning’s
        wide-awake
        city
        sky”

Readers will enjoy looking for the tan dog, ready to travel with his backpack, and a colorful bluebird, apparently not wanting to miss a thing, that show up in each scene.  Their presence creates a sense of playfulness, challenging the reader to look carefully into each scene to locate them.  Dog and bird are both showcased front and center in many scenes, and then are more obscure and hidden in other scenes. 

Hall has created simple illustrations that support and extend the text.  The illustrations fill both single and double page spreads.  The simple line drawings and the use of muted colors create distinctive city scenes.  Many illustrations show movement and motion as evidenced in the floating gondola in Italy, a flying kite in Cairo and the streets of New Orleans filled with music. 

Various perspectives are used to provide different points of view.  An aerial view of NYC will leave the reader feeling like a bird.  Looking up at the towering Shanghai skyscrapers creates a sense of smallness in contrast to the high rises.  The Golden Gate Bridge seems to go on to the end of the earth and the subway in Mexico City gives the reader the sense of standing in a crowded car surrounded by locals. A map on the end pages of the book identifies the location of each city, helping the reader orient himself to each famous place. Well-crafted poetry and engaging illustrations create a unified theme of world travel.  This collection provides a quality experience with poetry for children of all ages.  

SPOTLIGHT ON A POEM

Tokyo, Japan is the focus for the poem titled “City Lights.” It is easy to feel the excitement of one of the world’s largest cities when reading Hopkins' poem.  The illustrations show off the flashing billboards and lights of the city. 

“Blazing lights
flicker
flash
glitter
twinkle
sparkle
bedazzle
beam

so

brilliantly
bright
         Reasons
         why
         city
         stays
         awake
         all
         night.”

IN THE CLASSROOM

Introduce this poem by reading it aloud several times and then show students video footage of the Ginza district in Tokyo, showing both the day and the night.  Allow students time to talk about their impressions of this bustling, billboarded and brightly lit part of Tokyo.  Encourage students to talk about places they have visited that were filled with lights, challenge them to describe their memories.  Challenge them to contrast light filled experiences with a time they were in a very dark place with little or no light at all.  As a class or with partners have the students create descriptive word lists about their own experiences.  Have students discuss the way that Hopkins uses vivid verbs, encourage them to think of their own vivid verbs to describe either a brightly lit experience or an unusually dark one.  Allow time for sharing at the end of the lesson.  

EXTENSIONS

Lee Bennett Hopkins is a prolific writer. Bring a collection of his titles to the classroom so the students can read many of his poems.  Students could be encouraged to collect their own favorite top ten Hopkins poems in a journal and to memorize one or more of them.  Allow students to create original illustrations for a favorite poem.  Use selected poems from City I Love as an excellent mentor text to use in teaching about poetry writing. The Lee Bennett Hopkins website is a great source of information about the poet and his books.  http://www.leebennetthopkins.com.